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Indicators above the keys allow the user to set up custom scales - clicking on a key toggles these scale note indicators on or off. Pitch Fix's window is dominated by a one-octave keyboard, on which mint-green blobs show the root note and the pitches of any notes being processed. When Pitch Fix is controlled from a MIDI keyboard, a MIDI chord may be used to determine the current scale notes, or you can choose a mode where you play the notes to which the vocals should be shifted. As with most VST plug-ins, some parameters may be MIDI-controlled where the host application allows. A pull-down menu also enables bypass and the three snapshots to be called up using MIDI Controllers where the controller range of 0 to 127 is split into four zones to call up the four options.
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What type of 'normal' vocalist is neither male nor female I'm not entirely sure!Ī nice feature is that the plug-in window has three scene memory buttons plus a bypass button (also assignable to keyboard shortcuts) which allow the user to switch between snapshots of the control and parameter settings in real time, which may be useful when working on a song that changes key or where a different scale is used for the chorus. Various controls set the analysis and retune parameters so that the pitch correction can be made to sound as natural or as effected as desired, and a pull-down menu lets the user specify the sound source as Normal, Male or Female. If a stereo file is input, Pitch Fix processes only the left channel. Using an algorithm that Yamaha call 'Pitch Detective', Pitch Fix reads the pitch of any monophonic vocal line (which must be essentially free from spill or time-based effects) after which the software can automatically tune the audio to a chosen scale, or the user can force the performance to new notes altogether in real time using a MIDI keyboard.
It's purely a real-time plug-in, without any equivalent to Auto-Tune's Graphical Mode, but unlike its rivals it also includes some basic formant-tweaking controls for changing the sound as well as the pitch of the voice. Pitch Fix (shown above) takes on established products like Antares' Auto-Tune and TC's Intonator.
An additional plug-in emulating the channel strip of their new 01X interface/mixer is bundled exclusively with the 01X itself, and we'll look at this when we review the 01X (SOS March 2004).
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These include Vocal Rack, a software 'channel strip' offering compression, enhancement and de-ssing, and Final Master, a multi-band compressor/limiter intended for use across a full mix, but the one likely to attract the most attention is Pitch Fix, a real-time pitch-correction plug-in. The current range comprises three plug-ins, under review here. Sample rates of up to 96kHz at 16- and 24-bit are supported, depending on the capabilities of the host program.
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All support Windows, Mac OS 9 and OS X, with Audio Units versions also available on the latter platform. At 2003's Frankfurt Musikmesse, however, they announced their first software-only products: a range of dual-platform VST plug-ins. Yamaha were one of the first hardware companies to take the software revolution seriously, and the main thrust of their response has been to develop hardware that augments or integrates with computer-based systems.
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Do Yamaha's first plug-in processors have what it takes to compete with the big names in Mac and Windows software? The biggest music technology manufacturer in the world has stuck to hardware - until now.